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Program and Proceedings
This web site containing ICoMCS2 abstracts and full papers constitutes the Proceedings of the 2nd International Conference on Music Communication Science (ICoMCS2), edited by Catherine Stevens, Emery Schubert, Bridget Kruithof, Kym Buckley, and Steven Fazio, published in 2009 by HCSNet, University of Western Sydney. ISBN 978-1-74108-203-6.
ICoMCS2 PROGRAM
Thursday 3 December
9.00-10.00am |
HCSNet Plenary
CLB Theatre 7
Music and Emotions: The chill-effect as a useful research tool
Eckart Altenműller (University of Music and Drama, Hanover, Germany) |
10-10.30am |
Morning Tea |
10.30am |
ICoMCS2 Stream A
CLB Theatre 4
Music Perception
(Chair: Roger Dean) |
ICoMCS2 Stream B
CLB Theatre 5
Music & Health, Music Education
(Chair: Nikki Rickard) |
10.30-10.50 |
Finding your voice: a singing lesson from functional imaging
Sarah Wilson, David Abbott, Dean Lusher, Ellen Gentle, Graeme Jackson (University of Melbourne, Australia) |
"Tuning in": Investigating the effects of music on health and wellbeing
Kay Wilhelm1, Alice Wong2, Emery Schubert2 (1St Vincent’s Hospital, Sydney & University of New South Wales, 2University of New South Wales) |
10.50-11.10 |
Absolute pitch: an investigation of the spectrum of ability
Catherine Martin, Dean Lusher, Sarah Wilson (University of Melbourne, Australia) |
An evaluation of the psychosocial effects of music therapy in elderly Aged Care facility residents
Samia Toukhsati1, Daniel Condon1, Jenny Patterson1, Daniel O’Connor1, Bruce Barber2 (1Monash University, Australia, 2National Aging Research Institute, Australia) |
11.10-11.30 |
Verbal vulnerability in music perception: do words get in the way of describing music performers?
Helen Mitchell, Raymond MacDonald (Conservatorium of Music, University of Sydney, Australia) |
The effects of music and animal-assisted therapy on self-concept and depression in aged care residents
Nicci Grace1 , Samia Toukhsati1 , Jenny Patterson1 , Daniel O’Connor1, Bruce Barber2 (1Monash University, Australia, 2National Aging Research Institute, Australia) |
11.30-11.50 |
Wagner's music is even better than it soundsJohn Smith, Joe Wolfe (University of New South Wales) |
Open your ears project: Using music education to enhance aesthetic knowing for nursing students [abstract]
Anita Collins1, Rebecca Vanderheide2 (1University of Canberra, Australia, 2Monash University, Australia) |
11.50-12.10 |
A study of the impact of physical intensity in shaping realtime perceptions of musical structure and affect
Freya Bailes, Roger Dean (University of Western Sydney, Australia) |
Foreign objects and the art of interpretation Paul Draper (Queensland Conservatorium, Griffith University, Australia) Media Files |
12.10-12.30 |
Perceptual overestimation of rising intensity: is stimulus continuity necessary?
Kirk Olsen, Catherine Stevens, (University of Western Sydney) |
Time-series analysis of relationships between the pianist's body movement and the temporal expression for Romantic pieces[abstract] Haruka Shoda, Mayumi Adachi (Hokkaido University, Japan) |
12.30-12.50 |
Visual information can improve musical stream segregation
Hamish Innes-Brown1, Jeremy Marozeau1, David Grayden2,1, Anthony Burkitt2,1, Peter Blamey1,2; (1The Bionic Ear Institute, Australia, 2University of Melbourne, Australia) |
A psychological study of strong experiences induced by listening to music
Shoko Yasuda (Osaka University, Japan) |
12.50-2.00pm |
Lunch |
2.00-3.00pm |
HCSNet Plenary
CLB Theatre 7
What can sound change tell us about how speech is related to language?
Jonathan Harrington (Institute of Phonetics and Speech Processing
Ludwig-Maximilians University of Munich, Germany) |
3.00-3.30pm |
Afternoon Tea |
3.30pm |
ICoMCS Speed Papers 1 - Plenary
(Chair: Sarah Wilson) |
3.30-4.00pm |
Pitch streaming: A behavioural investigation of pitch-matching accuracy
David Marco, Neil McLachlan, Sarah Wilson (University of Melbourne, Australia) |
Effect of transposition on pitch memory between songs
Christopher Bartlette, Michele Henry, Jordan Moore, (Baylor University, United States of America) |
Interactions between visual and auditory encoding of pitch and time
Neil McLachlan, Loretta Greco, Emily Toner, Sarah Wilson (University of Melbourne, Australia) |
Congenital amusia: Is there a group with specific rhythm impairments?
Jacques Launay, Lauren Stewart, Manon Grube, Guy Peryer (University of Western Sydney, Australia) |
A survey of realtime interfaces for electronic music performance
Garth Paine, Jon Drummond
(University of Western Sydney, Australia) [abstract] |
Feeling sound: Listeners' experience of topical pitch perception
Jane Ginsborg, Christopher Gayford (Royal Northern College of Music, United Kingdom) |
Motivation and engagement in adolescent music learning[abstract]
Anne Power (University of Western Sydney, Australia) |
4.00-4.10-pm |
Questions and Discussion |
4.10-4.45pm |
Before the practice starts: two pianists' conceptual and contextual thinking for Ross Edwards' Kumari Blom
Diana Blom, Liam Viney (University of Western Sydney, Australia) |
Distributed cognition in the orchestra
Katharine Parton (University of Melbourne, Australia) |
Investigating musical features affecting judgments of expression and interest in solo marimba performance
Mary Broughton (University of Western Sydney, Australia) |
Communication of phrasing structure through multi-modal expressive techniques in pianists' performance[abstract]
Jennifer MacRitchie, Stuart Pullinger, Nicholas Bailey, Graham Hair (University of Glasgow, United Kingdom) |
Audio mastering: experimenting on the creative system of music production
Bryan Paton1 and Phillip McIntyre2
1 School of Philosophy & Bioethics, Monash University
2 School of DCIT, University of Newcastle |
Pitch streaming: a computational network model
Neil McLachlan, Sarah Wilson (University of Melbourne, Australia) |
The effect of temporal envelope on melody segregation
Jeremy Marozeau1, Hamish Innes-Brown1, David Grayden2,1, Anthony Burkitt2,1, Peter Blamey1,2 (1The Bionic Ear Institute, Australia, 2University of Melbourne, Australia) |
Exploring functions and aesthetics in sonifications for elite sports[abstract]
Nina Schaffert1, Klaus Mattes1, Stephen Barrass2, A.O. Effenberg3 (1University of Hamburg, Germany, 2University of Canberra, Australia, 3Leibniz University, Hannover, Germany) |
4.45-4.55pm |
Questions and Discussion |
4.55-5.30pm |
Structural and expressive signals of emotion: Categorical and dimensional aspects of decoding
Lena Quinto (Macquarie University, Australia) |
"In the Mood": personal music choice and mood regulation
Kay Wilhelm1,2, Inika Gillis2, Emery Schubert2 (1St Vincent’s Hospital, Sydney, Australia, 2University of New South Wales, Australia) |
Can music exercise our emotions?
Nikki Rickard (Monash University, Australia) |
Rumination and sad music: A review of the literature and a future direction
Sandra Garrido (University of New South Wales, Australia) |
The role of musical imagery in expressive music performance
Laura Bishop (University of Western Sydney, Australia) |
The influence of limb and joint information on action synchronization
Lincoln Colling, William Thompson, John Sutton (Macquarie University, Australia) |
Embodiment, work and emotion: investigating the symbiotic relationship between the body of a music performer and their musical performance [abstract]
Andrew Geeves, Doris McIlwain (Macquarie University, Australia) |
Features of conductor gesture: towards a framework for analysis within interactionKatharine Parton, Guy Edwards (University of Melbourne, Australia) |
5.30-5.40pm |
Questions and Discussion |
6.15pm |
Buses depart for Coogee Crowne Plaza, Conference Dinner |
Friday 4 December
9.00-10.00am |
HCSNet Plenary
CLB Theatre 7
Spoken Dialogue Models for Virtual Humans
David Traum (University of Southern California, USA) |
10-10.30am |
Morning Tea |
10.30am |
ICoMCS2 Stream A
CLB Theatre 4
Symposium: Resolving the dissonance between arts and science: A role for practice based research
(Chair: Roger Chaffin) |
ICoMCS2 Stream B
CLB Theatre 5
Cognition and Emotion
(Chair: Freya Bailes) |
10.30-10.50 |
Sources of variation in musicians’ use of performance cues[abstract]
Roger Chaffin, Alexander Demos, Mary Crawford (University of Connecticut, USA) |
Auditory attentional capture from static and changing intensity tones
Josephine Terry, Catherine Stevens (University of Western Sydney) |
10.50-11.10 |
Very long term memory for words and melody: an expert singer's written and sung recall over six years
Jane Ginsborg1, Roger Chaffin2 (1Royal Northern College of Music, UK, 2University of Connecticut, USA) |
The effects of background music on long-term memory
Sherilene Carr, Nikki Rickard (Monash University, Australia) |
11.10-11.30 |
Memory for cello performance: comparing played and written recall :
Tania Lisboa (Royal College of Music, UK) |
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11.30-12.10 |
Keynote Presentation
CLB Theatre 4
The effects of a song-singing program on the affective speaking intonation of people with traumatic brain injury
Felicity Baker (University of Queensland, Australia
(Chair: Kate Stevens)) |
12.10pm |
ICoMCS Speed Papers 2 - Plenary
(Chair: Samia Toukhsati) |
12.10-12.30 |
The neurobehavioural impact of maternal singing for newborn infants with complex medical conditions
Helen Shoemark (Murdoch Children’s Research Institute, Australia) |
Music in hospitals: defining an emerging activity
Costanza Preti (International Music Education Research Centre, United Kingdom) |
A special needs school placement for undergraduate musicology students as part of their community music module
Christiana Adamopoulou1, Christina Anagnostopoulou2 (1Ionian University, Greece, 2University of Athens, Greece) |
Impact of rhythm concert activities on the improvement of sociability among adolescents in residential care
Cho Jeong Eun (Myung Shin University, South Korea) |
Music therapy is associated with increased prefrontal P300 activity in elderly people with moderate to severe dementia
Bruce Barber1, Chathushka Fonseka1,2, Samia Toukhsati2, Rodney Croft3 (1National Aging Research Institute, Australia, 2Monash University, Australia, 3University of Wollongong, Australia) |
12.30-12.40 |
Questions and Discussion |
2.00-3.00pm |
HCSNet Plenary
CLB Theatre 7
Is this document relevant? Errr it’ll do
Mark Sanderson (University of Sheffield, UK) |
3.00-3.30pm |
Afternoon Tea |
3.30pm |
ICoMCS2 Stream A
CLB Theatre 4
Music Performance
(Chair: Jane Ginsborg) |
ICoMCS2 Stream B
CLB Theatre 5
Music Theory and Models
(Chair: Neil McLachlan) |
3.30-3.50pm |
Vocal tract involvement in some aspects of clarinet performance
Jer-Ming Chen, John Smith, Joe Wolfe (University of New South Wales) |
Generation in context: An exploratory method for musical enquiry
Andrew Brown, Toby Gifford, Eugene Narmour, Robert Davidson, (Queensland University of Technology, Australia) |
3.50-4.10pm |
Decision-making in unpracticed and practiced performances of Baroque violin music
Daniel Bangert, Emery Schubert, Dorottya Fabian (University of New South Wales, Australia) |
Sound source separation algorithm comparison using popular music
Peter Somerville, Alexandra L. Uitdenbogerd (Royal Melbourne Institute of Technology University) |
4.10-4.30pm |
Variations on Musica Chilota
Waldo Fabian Garrido (Macquarie University) |
Re-operationalization of "musicianship" - inclusion of non-performance engagement in music activities
Tan Chyuan Chin, Nikki Rickard (Monash University, Australia) |
4.30pm |
ICoMCS Speed Papers 3 - Plenary
(Chair: Mary Broughton) |
4.30-4.50pm |
Motivation in the classroom: insights into beginning teachers beliefs to teach music and the arts for students aged 9-15 years[abstract]
Susanne Garvis (University of Queensland, Australia) |
Musical pollution? When music heard becomes music imagined
Freya Bailes (University of Western Sydney, Australia) |
Music - small steps to big changes
Nicole Mengel, Carolyn Waters (Australian National University, Australia) |
The investigation of music teaching methods for talent development in autistic young musicians
Jeongmin Park (University of New South Wales, Australia) |
Toward music communication with supplemental visual information
Rumi Hiraga 1, Keitaro Takahashi 2, Nobuko Kato 1 (1 Tsukuba University of Technology, Japan, 2 Music Academy of Basel, Switzerland) |
4.50-5.00pm |
Questions and Discussion |
5.00-5.20pm |
Measuring audience response online: an evaluation of the portable Audience Response Facility
Catherine Stevens1, Kim Vincs2, Emery Schubert3 (1University of Western Sydney, Australia, 2Deakin University, Australia, 3University of New South Wales, Australia) |
Background music at work: a literature review and some hypotheses
Vivian Shek, Emery Schubert (University of New South Wales, Australia) |
A Markov chain model of formulaic improvisation in jazz
Celia Liang, Ryan Braganza, Iain Giblin, Michael Bain (University of New South Wales, Australia) |
An interactive improvisation system using melodic patterns
Sachiko Deguchi (Kinki University, Japan) |
5.20-5.30pm |
Questions and Discussion |
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Closing BBQ |
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