Dr Freya Bailes

Dr. Freya Bailes
Postdoctoral Research Fellow

f.bailes@uws.edu.au
Room no: 1.1.67
Building: 1
Campus: UWS Bankstown (Bullecourt Ave, Milperra)
Phone no.: +61 2 9772-6811

Qualifications
  • PhD, University of Sheffield, UK
  • MA, University of Sheffield, UK
  • BA (Hons), University of Hull, UK
Position Description
  • Postdoctoral Research Fellow
Past Positions
  • 2004-2007 Postdoctoral research fellow, Sonic Communications Research Group, University of Canberra, Australia
  • 2003-2004 Postdoctoral fellow, Cognitive and Systematic Musicology Laboratory, Ohio State University, USA
  • 2002-2003 Postdoctorante, Laboratoire d'Etude de l'Apprentissage et du Développement, Dijon, France

 

 

Freya Bailes - Research

Publications

2010
Bailes, Freya (2010). Dynamic melody recognition: Distinctiveness and the role of musical expertise Memory & Cognition, 38, 641-650.
Dean, R. T., & Bailes F. (2010). A Rise–Fall Temporal Asymmetry of Intensity in Composed and Improvised Electroacoustic Music Organised Sound, 15, 147-158.
2009
Bailes, F., & Dean R. T. (2009). When is noise speech? A survey in sonic ambiguity Computer Music Journal, 33, 57-67.
Bailes, Freya (2009). Psychology for musicians: Understanding and acquiring the skills, by Andreas C. Lehman, John A. Sloboda & Robert H. Woody British Journal of Music Education, 26, 227-230.
Sagiv, N., Bailes F., & Dean R. T. (2009). Algorithmic synaesthesia. The Oxford Handbook of Computer Music, 294-311., New York, USA
Bailes, F., & Dean R. T. (2009). Empirical studies of computer sound. The Oxford Handbook of Computer Music, 473-492., New York, USA
Bailes, F. (2009). Translating the musical image: Case studies of expert musicians (ChanA., NobleA., Ed.). Sounds in Translation: Intersections of music, technology and society, 41-59.
Bailes, F., & Dean R. T. (2009). Listeners discern affective variation in computer-generated musical sounds Perception, 38, 1386-1404.
Dean, R. T., Byron T., & Bailes F. A. (2009). The pulse of symmetry: On the possible co-evolution of rhythm in music and dance Musicae Scientiae, Sp. Iss., 341-367.
Bailes, F., & Delbé C. (2009). Long-term melodic expectation: The unexpected observation of distant priming effects Musicae Scientiae, 8, 315-336.
2008
Dean, R. T., & Bailes F. (2008). Is there a 'rise-fall temporal archetype' of intensity in electroacoustic music? Canadian Acoustics/Acoustique Canadienne, 36(3), 112-113.
Bailes, F., & Dean R. T. (2008). Context effects in the perception of computer-generated music: What happens during transitions? Australian Journal of Psychology, 60(Supplement), 58.
Bailes, F., & Dean R. T. (2008). The perception of structure and affect in contemporary sound-based and serial compositions as a function of musical expertise, liking and familiarity 10th International Conference on Music Perception & Cognition, , Sapporo, Japan.
Bailes, F., & Barwick L. (2008). Memory for tempo in oral music traditions: Evidence for absolute tempo in Aboriginal ceremonial song? 10th International Conference on Music Perception & Cognition, , Sapporo, Japan.
Bailes, F., & Dean R. T. (2008). Context effects in the perception of computer-generated music: What happens during transitions? Experimental Psychology Conference ’08, , University of Western Australia, Australia
Dean, R. T., Bailes F., & Brennan D. (2008). Microtonality, the octave, and novel tunings for affective music (Atherton M., CrossmanB., Ed.). Music of the Spirit: Asian-Pacific Musical Identity, 124-134., Sydney
2007
Dean, R. T., & Bailes F. (2007). NoiseSpeech Performance Research, 11(3), 134-135.
Bailes, F., & Dean R. T. (2007). Facilitation and coherence between the dynamic and retrospective perception of segmentation in computer-generated music Empirical Musicology Review, 2(3), 74-80.
Bailes, F., & Dean R. T. (2007). Listener Detection of Segmentation in Computer-Generated Sound: An Exploratory Experimental Study Journal of New Music Research, 36(2), 83-93.
Bailes, F., & Dean R. T. (2007). Facilitation and coherence between the dynamic and retrospective perception of segmentation in computer-generated music Empirical Musicology Review, 2, 74-80.
Bailes, F. (2007). The prevalence and nature of imagined music in the everyday lives of music students Psychology of Music, 35(4), 555-570.
Bailes, F. (2007). A response to Andrea Halpern’s commentary Empirical Musicology Review, 2(2), 62-64.
Dean, R. T., & Bailes F. (2007). 'Human Understanding’ in imagining and organising sound: some implications of John Locke’s Essay for ecological, cognitive and embodied approaches to composition Organised Sound, 12, 89-95.
Bailes, F. (2007). Timbre as an Elusive Component of Imagery for Music Empirical Musicology Review, 2(1), 21-34.
Bailes, F., SmithH, & Dean R. T. (2007). Hearing and Imaging Place in Sound: A Program to interrelate the Cognitive, Cultural and Creative (BandtR., DuffyM., MacKinnonD., Ed.). Hearing Places: Sound, Place, Time and Culture, 126-142.
Bailes, F., & Dean R. T. (2007). Asymmetrical perceptions of structure and affect in computer-generated music Australian Journal of Psychology, 59(Supplement), 17.
Bailes, F., & Dean R. T. (2007). Stylistic familiarity and the perception of affect in computer-generated music Society for Music Perception and Cognition 2007, , Concordia University, Quebec
Bailes, F. (2007). Asymmetrical perceptions of structure and affect in computer-generated music Experimental Psychology Conference ’07, , Australian National University, Australia
Bailes, F., & Dean R. T. (2007). A Response to Cross and Rohrmeier’s ‘Comments on Facilitation and coherence between the dynamic and retrospective perception of segmentation in computer-generated music' Empirical Musicology Review, 2, 149-151.
2006
Bailes, F., & Dean R. T. (2006). Comparing real-time and retrospective perceptions of segmentation in computer-generated music 9th International Conference on Music Perception & Cognition, 69-70., Bologna, Italy
Bailes, F., & Dean R. T. (2006). Comparing real-time and retrospective perceptions of segmentation in computer-generated music (Baroni, Addessi, Caterina, Costa, Ed.). 9th International Conference on Music Perception and Cognition, 76,
Bailes, F. (2006). The Use of Experience-Sampling Methods to Monitor Musical Imagery in Everyday Life Musicae Scientiae, 10(2), 173-190.
Dean, R. T., & Bailes F. (2006). Toward a Sociobiology of Music Music Perception, 24(1), 83-84.
Barrass, S., Whitelaw M., & Bailes F. (2006). Listening to the Mind Listening: Function and Aesthetics in Sonification Leonardo Music Journal, 16, 13-19.
Bailes, F. (2006). The Cognition of Basic Musical Structures, by David Temperley 25(1-2), 241-247.
Bailes, F. (2006). The Cognition of Basic Musical Structures, by David Temperley Music Analysis, 25(1-2), 241-247.
Bailes, F. (2006). usical Communication, edited by D. Miell, R. MacDonald, & D. J. Hargreaves British Journal of Music Education, 23(3), 363-365.
Bailes, F. (2006). Developing and Testing the ‘Mind’s Ear' Australian Music and Psychology Society Seminar Series, , University of New South Wales, Australia
Bailes, F., & Dean R. T. (2006). Affect in computer-generated music? Science of Music Perception, Performance and Cognition, , University of Western Sydney, Australia
Bailes, F. (2006). Memorable tunes: Repeated exposure and melodic distinctiveness 4th International Conference on Memory,
2005
Bailes, F. (2005). Studying musical imagery: context and intentionality 9th International Conference on Music Perception & Cognition, 805-809.
Bailes, F., & Dean R. T. (2005). Structural Judgements in the Perception of Computer-Generated Music 2nd International Conference of the Asia Pacific Society for the Cognitive Science of Music (APSCOM), 155-160., Ewha Womens University, Seoul, Korea, APSCOM
Bailes, F., & Dean R. T. (2005). Detecting Musical Macrostructure: Some Early Findings Australian Journal Of Psychology, 57, 43-44.
Bailes, F., & Dean R. T. (2005). Structural judgements in the perception of computer-generated music 2nd International Conference of Asia Pacific Society for the Cognitive Science of Music, 155-160., Seoul, Korea
Bailes, F., & Dean R. T. (2005). Detecting musical macrostructure: Some early findings Australian Journal of Psychology, 57(Supplement), 43-44.
Bailes, F. (2005). Translating the musical image: Case studies of expert musicians Sounds in Translation, , Australian National University, Australia
Bailes, F. (2005). Listener Expertise in Musical Expectation Australian Music and Psychology Society Seminar Series, , University of New South Wales, Australia
2004
Bailes, F., & Bigand E. (2004). A Tracking Study of Mental Imagery for Popular Classical Music 8th International Conference on Music Perception & Cognition, 462-465., Evanston, Illinois
Bailes, F. (2004). A Sampling Study of the Prevalence and Nature of ‘Tune on the Brain’ Phenomena 8th International Conference on Music Perception & Cognition, 466-469., Evanston, Illinois
Bailes, F. (2004). Musical Imagery and Melodic Expectation Monday MARCS Meeting, , University of Western Sydney, Australia
2003
Bailes, F. (2003). Experimental Studies in Musical Imagery: Implicit and Explicit Cognition 5th Triennial Conference of the European Society for the Cognitive Sciences of Music, 156-159., Hanover, Germany
2002
Bailes, F. (2002). Perspectives on Musical Imagery 7th International Conference on Music Perception & Cognition, 736-739., Sydney, Australia
Bailes, F. (2002). Musical Imagery, edited by R.I. GodØy & H. JØrgensen Psychology of Music, 30(1), 137-140.
2001
Bailes, F. (2001). Investigating Imagery for Timbre Approaches to Research in the Psychology of Music and Music Education, , Society for Research in Psychology of Music and Music Education, University of Cambridge, UK
2000
Bailes, F. (2000). Mental Practice and Imagery for Musicians, by Malva Freymuth Psychology of Music, 28(1), 116-118.
Bailes, F. (2000). Music ‘On the Brain’: Comparing Priming Task Performance for Imagined and Perceived Music Experiments and Models in the Psychology of Music, , Society for Research in Psychology of Music and Music Education & Interdisciplinary Centre for Scientific Research in Music, University of Leeds, UK
Bailes, F. (2000). Music ‘On the Brain’: A Comparison of Imagery and Perception Priming Task Performance The Effects of Music, , Society for Research in Psychology of Music and Music Education, University of Leicester, UK

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